Only lovers left alive sold out

Jim Jarmusch's wonderfully arch and stylish 21st-century vampire movie owes as much to 1980s indie music and film culture as it does to Bram Stoker.

The irony, which the film seems very aware of, is that filmmakers from that era, such as Jarmusch himself, are as much out of time as the vampire protagonists here. (You can't help noticing that the pale-skinned vampire lovers played by Tom Hiddleston and Tilda Swinton dress remarkably similarly to the characters in Jarmusch's 1980s films, who invariably also preferred night-time to the daylight.)

The film has a grungy, pre-digital aesthetic. In the world shown here, Gibson guitars and 45rpms matter much more than any new technology.

Hiddleston and Swinton excel as the very refined bloodsuckers, conveying a sense of world-weariness and disillusionment about the behaviour of the "zombie" humans without ever becoming remotely wearisome themselves.